Prada & Oliver Peoples.
Two reference brands with fresh proposals for spring. Italian geometry and American artisan heritage.
April brings new light, and with it two collections that look nothing alike yet share something essential: a refusal to settle for correct when exceptional is possible. Prada through geometric architecture. Oliver Peoples through artisan heritage. Different paths, same destination.
Prada PR 04ZS. Geometry without compromise.

Prada PR 04ZS
57 mm front in absolute black with dark lenses. The integrated hinge keeps the silhouette clean. Weight is balanced between front and temples.
At €189, the smartest entry point to Prada sunglasses.
Prada PR 06YS. Three colours, one idea.
Where the 04ZS speaks in black, the 06YS speaks in colour. Three 53 mm variants proving that sophistication doesn't require neutrality.
06YS — Blue
Prada's blue is not decorative. It's a technical choice that filters light without losing definition. Gradient lenses that accompany the acetate tone.
06YS in three expressions.

06YS — Tortoise
Classic tortoise reinterpreted with Prada proportions. Each piece of acetate is cut to maximise contrast between light and dark tones.

06YS — Brown
Warm brown with matching lenses. The most understated of the trio, but no less considered. Works with everything.
"The best glasses aren't seen. They're felt."
Oliver Peoples 1951C. Paul Newman's heritage.

1951C OV5573SU 140773
The first variant. Classic acetate, 54 mm, mineral lenses. The frame that needs no explanation because its shape has been speaking for itself for decades.

1951C OV5573SU 149287
The second variant. Same obsession, different expression. A lighter tonality that opens the frame to new contexts.
Oliver Peoples 1989C. Metal, not acetate.
The 1989C moves from acetate to metal, gaining lightness without sacrificing presence. At 52 mm, the frame for those who want Oliver Peoples heritage you barely feel on your face.
The complete collection.
Available at OpticalH.
Lire la suite

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